Totoro & 5 Best Things In The Movie
Totoro is one of the movies that I keep neatly on
the shelf and countless times I've seen it just to admire it. I do not
know how many times I want to review it but always missed. No one
dismisses if there are many specials from the 1988 film release of the great
work of Hayao
Miyazaki and his legendary studio, Ghibli . But
there are five things that make me favorite of this animation, the subject
which also makes Totoro not only as a slick film seen from various aspects but
also so much influence in Japan to make the movie lovers momentarily forget Doraemon or Son-Goku .
Elegant Local
Honesty
Totoro is a
beautiful fantasy movie. Fun, soothing. No striking plot or images of
kindness or character crime are presented with sharpness. Everything was
aired honestly as a line of Miyazaki's fictional characters. From Tatsuo 's
father , Mei and Satsuki .
They are ordinary
people, cheerful and symbolize humility without aling-aling moving to a quiet
village with rice fields, vegetables and forest. Where local Japanese
wisdom is presented intelligently without explaining the details or rituals of
persecution for the audience. Everything is endemic. Native ,
naive and honest in his life and dream, once again without the detail and
complexity to confuse the audiences of the child. At least, I think there
are five things that become interesting points in this movie. Five things
also make it up there as one of the best animations of all time.
Simplicity in a
Scale
I'm not going to
talk about what an implicit gem she's got. Such a
poetry is so intelligent that it immediately makes the reader capture all
sentence energy without having to read it over and over again. Tonari no
Totoro too. Present without the antagonist and all the characters seem to
be worthy of being the protagonist, though there is no visible surplus that
stands out or draws from them all. Likewise Mei and Satsuke are
simple bebocah, unencumbered with the play to defeat evil wizards or the
mission of saving the world.
This is the
simplicity that becomes more value, presented unique on a small rural scale and
similarly small cases typical of children's kecerian. We will not
encounter the complexity of the ideas presented in Spirited
Away or Nausicaa and The Secret
World of Arriety . There is only Totoro with his
dance-growing trees, or the famous silence scene in May and Satsuki waiting for
his father to come at a bus stop in the woods. With frogs that relax under
the rain.
Fantasy Independent
The names Miyazaki
and Ghibli are separate entities, this is absolute. As long as we keep
watching Disney or Pixar, we will continue to be treated with the same formula
and pattern of
how cartoons should start and end. Or grip the Dungeons
& Dragons if the audience also plays the game. This
outline becomes an American fantasy convention. But Ghibli has their own
world independence, with original color and style.
They do not need
the rules of Hans Christian Andersen , nor the magical
Japanese magma itself. In
Totoro everything looks original. If they want a ghost they create their
own ghost description, they want a bus, the audience will get a fifteen-footed
cat-shaped bus that slightly reminds us of the cat in Alice in
Wonderland .
Calm Color and
Visual
Until some time,
Miyazaki decided to use watercolor in every movie. Until automatic
coloring through the computer takes over. But precisely this simple
coloring is the main key to Totoro's cinematography to be calm and soothing and
equally beautiful when compared to Howl's Moving Castle or
The Secret World of Arriety. Only, we do not find conflicts and social
chaos as in both titles. All colors are explained from the perspective,
happiness and exploration of a 3-year-old child.
Magical Realism of
the Protagonist
Mei and Satsuke do
not have to distinguish where dreams, fantasies or the reality of their lives. They
are kits in the middle of a field that enjoys the wind blowing from any side. And
the audience does not need to sort out which they are trying to understand.
We just need to
enjoy the rice fields, rivers and trees as well as how May and Satsuki enjoy a
supersonic trip with their Cat Bus. Or hang on to Totoro's stomach as the
friendly monsters climb the clouds with their umbrellas and their tops. Is
this a Miyazaki trick to bring magical elements into reality in the movie just
so the audience gets to study the philosophical films? I do not think so.
Tonari no Totoro is classic since
the first day of the film is released and will still be a classic with the
increasing age and animation man-made animation. Enjoying it is by paying
attention to the kindergarten that requires mystical and imaginary pleasures,
and it is futile if for example we are trying to learn every sign drawn by
Miyazaki in this film just to prove Totoro has a negative hidden intent. At
the end we know this is not Disney.